Xangle Camera Server

Antiantiart directed and produced the music video for "Come My Way," featuring Sơn Tùng M-TP and Tyga. The creative team at Antiantiart, led by director Lf.pvnirvana, employed innovative capture techniques to bring the vision to life. A custom bullet-time rig with 30 Canon 200D Mark II cameras was used for Gaussian Splatting, capturing a traditional bull-racing festival in An Giang. This data was then composited with Sơn Tùng M-TP's green screen footage. Additionally, Sơn Tùng M-TP underwent volumetric capture to create immersive virtual environments while maintaining the natural nuances of his performance. The film aimed to reinterpret Vietnamese cultural imagery through contemporary technology, using real-world captures to preserve authenticity across diverse Vietnamese settings, all while maintaining a precise and polished lighting aesthetic.

[BTS + FINAL] “𝗖𝗢𝗠𝗘 𝗠𝗬 𝗪𝗔𝗬 “ - @sontungmtp 𝘅 @tyga 🔥🔥 Directed and creative by @lf.pvnirvana (Antiantiart) Production and Post Production by @antiantiart_ @aaa.postproduction Director's Notes 👇 "The film incorporates several experimental capture techniques: Gaussian Splatting: We built a custom bullet-time rig using 30 Canon 200D Mark II cameras to capture the motion of the traditional bull-racing festival in An Giang. The resulting data was then integrated with Sơn Tùng M-TP footage shot on green screen. Volumetric Capture: Sơn Tùng M-TP was captured inside a volumetric capture stage, allowing us to create immersive virtual environments while preserving natural performance nuances. Conceptually, I wanted everything in the film, including the virtual elements, to retain a strong human quality. Rather than relying on fully 3D-modeled assets, we used Gaussian Splatting to capture the movement of real bulls, allowing us to reinterpret Vietnamese cultural imagery through a contemporary technological lens while preserving its authenticity. Since the film was shot across a wide range of Vietnamese cultural settings, we maintained a very clean and controlled lighting approach throughout. The goal was to create images that feel precise and polished, almost as if they were digitally rendered, while still remaining grounded in real-world locations and performances." Executive Producer: @hglicious (Antiantiart) @dangduc.88 (Antiantiart) @lf.pvnirvana (Antiantiart) Director of Photography (DOP): @kelvincwz_dp (Antiantiart) Managing Director: @notankhang (Antiantiart) Producer: @tanhuynh2812 @tienduongfilm19_9 (Antiantiart) Production Manager: @lynn_unu Account: @hophuongmai99 (Antiantiart) Crew B DOP: @dagthinh (Antiantiart) Creative Team: @microwavesoups @van.ding (Antiantiart) @just.thuc (Antiantiart) @clown.13 (Antiantiart) ART DEPARTMENT - @microwavesoups Production Design: @lebowery (Microwave Soups) Art Director: noneviolet (Microwave Soups) Associate Art Director: @qakalous (Microwave Soups) 3D Concept Artist: @kng.td (Microwave Soups) Tech Specs: ARRI ALEXA 35 Have a great day on our channels! @filmmakersworld #filmmakersworld #behindthescenes".

Xangle Camera Server

Antiantiart creates "Come My Way" music video for Sơn Tùng M-TP and Tyga